Copacetic PR
Laura Mary Carter of Blood Red Shoes releases the single and video Four Letter Words from her solo debut Bye Bye Jackie, out September 26. Filmed in West Wales, the visual traces disappointment and self liberation. She supports Natalie Bergman in Bristol, Manchester, and London this month.
Singapore based Indonesian R&B artist lullaboy links with 88rising’s Stephanie Poetri for “live with it,” his first duet, out August 29. The cathartic single tackles the fallout of love and lies and teases his third album, hotels & heartbreaks. It follows a historic Summer Sonic Bangkok set.
Tropics (Chris Ward) unveils “Cold Euphoria,” the fifth single from his album Reality Fever, out September 3 via Modern Entity. Self-written and produced in LA, the track blends indie, post-punk, and electronica, channeling “chilled out” glow with “throbbing underlying angst.”
Kosheen mark 25 years of “Catch” with Catch: 2025 Reload – Remix Pt. 1 (Aug 14, Moksha). Adamon & Bella Kri lead with cinematic progressive house edits (9M+ streams), joined by Ersin AVCI, Vagabond, Brosso, and Fanis Stam—reimagining a platinum-era classic from Resist.
Seb Wildblood previews his next chapter with “Insomniac Crossing” (feat. Eli Dayo), a dawn-hued, dream-pop drift arriving August 14. The track leads into Waterworld, his most introspective, songwriter-leaning LP yet, out October 19 via all my thoughts, blending lo-fi textures, tender melodies, and newfound vulnerability.
Miami‑born soul‑pop artist Marquise Fair returns with “Nature of Love,” a stirring single celebrating unconditional bonds, out July 24. It previews his debut album Better World, arriving September 3, featuring collaborations with Jason Lindner, Yosvany Terry, and Jacques Schwarz‑Bart.
MCBAISE returns with “Cold Cuts” featuring Muthi, a shimmering, ’90s‑tinged psychedelic pop jam out July 18 on Dirty Melody Records, and the third preview of his upcoming album.
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Throughout this EP, I've worked to create a coherent narrative of consciousness exploration while respecting the ineffable nature of these experiences. The production techniques themselves mirror the philosophical undertones: I found myself repeatedly returning to the question of how consciousness shapes itself through the act of self-observation.
