Trumpeter Michael Sarian Releases Portishead Cover "Glory Box" in Advance of New Album ESQUINA on Greenleaf Records

Trumpeter Michael Sarian mangrupakeun veteran tina loba panggero jazz ikonik, ti Kennedy Center ka Blue Note, ka Montreux Jazz Festival. Anjeunna mangrupakeun komposer jeung improvisator diadegkeun nu boga sababaraha rilis on 577Records, rekaman jeung Olec Mün on piano jeung kopi rekaman, jeung ku quartet sorangan on ears&eyes jeung Shifting Paradigm Rekaman. Anjeunna ngajalankeun on custom "SARIAN" mouthpieces sorangan, dijieun di Perancis ku Atelier Donat. Jeung Anjeunna in-demand na unfathomable salaku sideman, maénkeun dina panggero dina panggero jeung grup pop ngaran domestik.

On his latest, Esquina, the Toronto-born, Buenos Aires-raised, and NYC-based musician leads his quartet through more than fifty-five minutes of riveting, corner-turning jazz exploration that will delight fans of Miles Davis’ electric period and Jeff Parker’s ETA IVtet alike.

Naon anu husus –– ti musik anu luar biasa sorangan – nyaéta yén Sarian dianggo di dieu jeung musisi anu sarua jeung anjeunna geus dianggo dina tilu rilis saméméhna. catetan ieu leuwih atawa kurang karya kaméra jazz, utamana akustik, dipeunteun jeung melodies alus tur jelas, sarta nyokot perbandingan jeung artis kawas veteran ECM Kenny Wheeler. Esquina, sanajan kitu, mangrupakeun intentional jeung gancang turutan kana pulsa fusion jazz, ditandatangan ku liar, Jon Hassell-esque processed trumpet, synthesizers jeung organ listrik jeung piano, jeung ritme galloping nu bakal teu di tempat di Agharta atawa On the Corner.

<pfseg id="0">Born of Sarian's need to challenge himself and his collaborators, musik nu ngawengku Esquina ieu disimpen kalawan sedikit ka tanpa percobaan jeung diikuti skor grafis nu diwangun tina gambar jeung sketsa nu Sarian dijieun dina downtime nalika dina tur stadion empat bulan salaku sideman band pop. Dina nu teu leutik, sapertos, Esquina bisa dipikahoyong salaku sejenna karya shadow. Naon intentional, intuitively, atawa aya diantara, Sarian respon kana bulan ieu musik pop mainstream jeung jadwal tur rigid jeung percobaan, petualangan, jeung maén. Jeung nepi ka saeutik, anjeunna respon kana stabilitas anjeunna geus dibangun sorangan ku muterkeun jeung Nathan Ellman-Bell, Marty Kenney, jeung Santiago Leibson. Sarian bisa gancang ngumpulkeun band béda, dirancang khusus pikeun

Sebagai seniman, Michael Sarian mangrupakeun sagala tapi stasiun. Anjeunna di jalan, nyokot semangat jeung nyandak jalur sorangan.

Dina lagu, Sarian nyatakeun: "I dibéjérbéaskeun nelepon Portishead's Glory Box - I was a kid when it was released, and then it became a part of pop culture fabric, appearing all over TV and movies, and it always stuck with me. The mix of soulful vocals and trip-hop beats felt unique. Sanajan ngalaksanakeun Esquina, I realized the track could fit really well within the more improvised, loosely structured experimental sound I was developing. The emotional vibe and atmospheric quality of the original seemed like something I could reinterpret in a fresh way. It felt like a perfect opportunity to rework a song that had been with me so long, while taking it in a new direction."