Trumpeter Michael Sarian Releases Portishead Cover "Glory Box" in Advance of New Album ESQUINA on Greenleaf Records

Trumpeter Michael Sarian jẹ ọkunrin ti ọpọlọpọ awọn aaye jazz, lati awọn Kennedy Center si awọn Blue Note, si awọn Montreux Jazz Festival. O jẹ olugbe olugbe ati awọn improvisation ti o ni ọpọlọpọ awọn gbigbe lori 577Records, awọn gbigbe pẹlu Olec Mün lori awọn aaye piano ati kafe, ati pẹlu awọn quartet rẹ lori ears&eyes ati Shifting Paradigm Records. O gbe lori awọn aaye "SARIAN" rẹ, ti a ṣe ni France nipa Atelier Donat. Ati o jẹ ninu awọn ibeere ati ki o ko gbọdọ bi ailewu, mu lori awọn aaye ile-iṣẹ pẹlu awọn aaye pop awọn ẹgbẹ.

On his latest, Esquina, the Toronto-born, Buenos Aires-raised, and NYC-based musician leads his quartet through more than fifty-five minutes of riveting, corner-turning jazz exploration that will delight fans of Miles Davis’ electric period and Jeff Parker’s ETA IVtet alike.

<pfseg id="0">O ti wa ni pataki pataki – – paapa ti awọn music pataki – jẹ pe Sarian ti wa ni ṣiṣẹ nibi pẹlu awọn oniwe-ẹrọ ti o ti ṣiṣẹ pẹlu lori awọn oniwe-ẹrọ miiran lori awọn oniwe-ẹrọ miiran. Awọn iwe-ẹrọ wọnyi ti wa ni diẹ sii tabi diẹ ẹ sii awọn ọna ti kamẹra jazz, ni ilọsiwaju akustiki, ti o wa pẹlu awọn ọpọlọpọ ti o dara ati ki o tẹsiwaju melodies, ati awọn ipilẹ si awọn olumulo bi ECM veteran Kenny Wheeler. Esquina, sibẹsibẹ, ni a iyanu ati ki o daradara ti o ṣe si awọn pulsing jazz fusion, ti a npe ni awọn iyanu, Jon Hassell-esque process

<pfseg id="0">Born of Sarian's need to challenge himself and his collaborators, the music that comprises Esquina was recorded with little to no rehearsals and follows graphic scores that were formed out of drawings and sketches that Sarian made during downtime while on a four-month stadium tour as a pop band sideman. Ni ko si kekere iye, ki o si, Esquina le wa ni lati gbe bi a iru ofurufu iṣẹ. Ti o ba wa ni ilọsiwaju, intuitively, tabi nibikibi laarin, Sarian siwaju si awọn ọdun wọnyi ti mainstream pop music ati a rigid tour schedule pẹlu igbeyewo, adventure, and play. And to no small extent, he responded to the stability he had built himself through playing with Nathan Ellman-Bell

As an artist, Michael Sarian is anything but stationary. He’s on the move, spiritedly drawing and following his own path. And Esquina is a corner turned.

<pfseg id="0">Lori awọn ọna, Sarian wí pé: "Mo ti wa ni gbajumo lati mu Portishead's Glory Box – Mo ti wa ni ọmọ, nigba ti o ti kọ, ati ki o si jẹ ọkan ninu awọn ọna pop culture, bẹrẹ ni gbogbo TV ati awọn fọto, ati awọn ti o ti wa ni nigbagbogbo pẹlu mi. Awọn ipilẹ ti awọn akọsilẹ akọsilẹ ati awọn trip-hop beats jẹ pataki. Nigba ti o ṣiṣẹ lori Esquina, Mo ti ri awọn ọna ti o le ṣee ṣe pataki ninu awọn ti o dara julọ improvised, rọrun iṣiro aworan ti Mo ti wa ni idagbasoke. Awọn iyanu iwaju ati agbara didara ti awọn orisirisi bẹ bi ohun ti mo le