Scott C. Park's Debut Album, Crossing The Line, is Set to be Released May 23

Scott C. Park’s debut full-length, Crossing the Line, is a raw, deeply personal body of work that
lands with quiet confidence and undeniable authenticity.

Scott allowed this record to unfold organically, creating an eclectic yet focused indie rock album,
unburdened by genre expectations. There's a warmth and looseness here - think Wilco's Yankee
Hotel Foxtrot and early Pavement, but with a melodic sensibility that pulls from Nirvana and early
Sheryl Crow.

Each track feels lived-in, performed with the synergy of a well-oiled live band rather than a polished
studio machine. And while Scott cites influences ranging from John Frusciante to Courtney Barnett,
the record feels distinctly his own, rooted in personal stories and shaped by a willingness to follow
musical instinct rather than trend.

The album title Crossing the Line carries multiple layers, each explored with lyrical nuance. The first
half of the album deals with the pragmatic slog of daily life and human experience, crossing the line
from youth to adulthood, while the second half deals with the transition from faith to skepticism. It’s
deeply autobiographical, but never alienating, Scott’s reflections are specific yet universally resonant.

One of the more poetic threads comes from his familial maritime tradition. “Crossing the line” refers not just to personal thresholds, but also to an old merchant navy ceremony for sailors crossing the
equator, where roles are reversed and traditions are honoured.

Opener and last single ‘Rose Pink Sky’, is a meditation on the soul-crushing routines of adulthood,
working a day job, chasing funding, holding onto creative dreams through the haze of fatigue. The
lyrics are filled with wit (a huge ‘Don’t Stop Believin’’ joke in verse two) and the guitar solo is, in
Scott’s words, “like a slingshot rollercoaster launch”, exhilarating, explosive, and deeply satisfying.
‘Come Back To Me Dead’ deals the most poignantly with Scott’s loss of faith and becomes the
album’s thematic centrepiece: “‘with all the Christians watching, heaven hanging by a thread / I gave
my life to Jesus and it came back to me dead”.

What makes Crossing the Line special is how unforced it feels, Scott C. Park isn’t trying to impress
you with studio wizardry or poetic grandstanding. He’s simply telling his story, whether it’s about losing faith, letting go of comfort, or trying to write a guitar solo that sounds like screaming into the Hebridean wind, and inviting you to find your own reflection in it.